天台2007

简介：

斯特拉为社交名媛罗莎琳设计帽子和头饰，并遇见了她的儿子克里斯蒂安，克里斯蒂安正在训练一匹马参加路易斯维尔德比大赛。

简介：故事讲述了开发商安东想强拆何倩倩外婆的老宅建成一片别墅区。为了不让安东强拆老宅，何倩倩暑假和同学江佳琪一起回到了老宅，初恋王晓峰还有一群初中同学陪着她想出了一个请笔仙装鬼的办法吓走开发商，可后来事情扑朔迷离，诡异事件接连发生，人心惶惶，到底有什么未知的恐惧在等待着他们......

简介：

电影讲述了抗疫期间，无数平凡人毅然决然地冲锋在最前沿，用血肉之躯筑起了抗击疫情的钢铁长城。

简介：

一位害羞而脆弱的建筑师，身处暴力和虐待的环境中。压力不断累积，直到他被逼到人性的极限。

简介：

一对年轻的新婚夫妇去大城市邦板牙追逐他们的梦想，但受到欲望、成瘾和对金钱的渴望的考验。他们的爱情会延续下去吗 ？还是会因为追求梦想而分崩离析？温柔贤淑的妻子安娜含辛茹苦，她从不喝酒，单纯善良，一直为丈夫阿本守身如玉，不让任何男人碰自己的身体。她深爱着丈夫阿本 ，穿着洁白的婚纱，在床上，他们两人的身体紧紧拥抱在一起，互诉衷肠，恩爱无比。但是不久之后，丈夫染上了网络斗鸡（e-sabong）的赌博恶习，甚至因为赌博上瘾，竟然录制了自己与妻子的性爱录像带并进行贩卖！而更可怕的是，一位叫萨奇的黑帮头子喜欢上了他的妻子，更是用尽手段想要得到她，在发生一系列变故之后，美丽纯洁的妻子不幸被萨奇强奸玷污，并深陷萨奇的魔爪，沦为性奴惨遭蹂躏，为了救出爱妻，丈夫奋不顾身潜入魔窟，救出了遍体鳞伤的妻子，但最终却付出生命的代价。这是一个悲剧的警世故事。由菲律宾现实中的明星情侣A·J·拉瓦尔、阿祖·阿布瑞尼卡两人联袂主演。

简介：根据同名小说改编：1957年平安夜一名德哈维兰吸血鬼的飞行员回家的故事，他的飞机在从德国北部的皇家空军赛勒到萨福克郡的拉肯海斯的途中遭遇了完全的电气故障。由于迷路于雾中，燃料不足，他被一架二战时期的德哈维兰蚊子战斗轰炸机的飞行员接见并带（或护送）到英国皇家空军的一个废弃的分散场，飞行员显然是被派来引导他的。

简介：查克（汤姆•汉克斯 Tom Hanks饰）任职于美国联邦快递，他系统工程师的职业决定了他的生活忙碌、自律、充满时间紧迫感。而查克总能把一切工作都井井有序的安排在每天的日程里，时间就在他的控制之下。他无暇顾及的只是女朋友凯莉（海伦•亨特 Helen Hunt 饰）。

简介：27岁的项小松进城打工，回家发现家乡人比他还富有，想娶的女孩也另投他人，心理落差很大，想致富的心理使之成为新一代跑山人。同龄的张来运是个都市彩票男，但从来没中过大奖，听说跑山可采到人参，随好友来长白山撞大运。还有年轻的猎豹车司机齐大森、城市白领钱多多、老一辈林场伐树劳模项爷爷，通过他们展现不同的跑山故事，也通过他们的经历反映新时代的变化……

简介：本片的主角艾尔伍德是个中年男人，同时也是个酒鬼。然而他常常臆想出来他有个好朋友——一只六英尺高的兔子。艾尔伍德向他的姐姐和侄女介绍这只名叫哈维的兔子。大家都认为他的神经有问题。他的姐姐忍无可忍，想把他送进疯人院。

简介：黑帮洪兴社与敌对帮派谈判破裂，双方大打出手。洪兴老大李坤混乱中被刺，重伤身亡，社团顿时一团混乱。留学并定居美国的李万豪（周润发 饰）携妻儿回港为父奔丧，在众老叔苦苦哀求下无奈出任龙头一职。虽生在黑社会家庭，但万豪自幼不参与社团事务，更对江湖上的规矩与利害一无所知，因此一系列改革举措招来了其他帮派的攻击与不满。　　决意返美的万豪推举老成持重的谢胜（陈惠敏 饰）担当老大，此举却引来少壮派头目杨港（张耀扬 饰）的不满。内忧外患，处在过渡期的洪兴社风雨飘摇……

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这难道只是纽约的一家非常受欢迎的意大利餐厅的又一个夜晚吗？这家餐厅的老板兼赌徒 Louis Cropa 是这家餐厅的老板兼赌徒。今晚的客人包括：一位当地警探和他的妻子，他们受老板特别邀请；阳台上是来自皇后区的赌徒黑帮，他们想成为餐厅的合伙人；角落里是著名的美食评论家“美食女神”，一如既往地要求严格；酒吧里似乎没有引起注意的是 Ken。夜幕降临时，楼下疯狂厨房里的赌徒兼副厨师 Duncan 登场了，他是催化剂，让夜晚走向不可避免的爆炸性致命结局。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor