434
8.0

爱得起 粤语版

主演:
梁咏琪,陈柏霖,邵兵,谭俊彦
更新:
2025-05-14 08:14:32
评价:
8.0
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简介:
讲述了一位被丈夫抛弃感情受挫的都市白领,与同一屋檐下的小叔子产生“叔嫂”恋情的故ddd。
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欧洲的某个地方
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主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
495
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简介:关键一晚终于来临,黄渤扮演的黄总,邀请收藏爱好者来自己家参观,蔺先生如今也是其中一员,带着王森来了。蔺先生发现黄渤家里有三幅《维多女人》仿品,都是有一定年头的值钱货,但蔺先生从特定角度,发现了其中一幅画的标记,这是王森之前交他辨别真假的方法,王森也证明的确是真品。蔺先生发现这是真品后非常激动,要趁别人都没发现之前买下这幅画。黄渤看蔺先生这么感兴趣,开玩笑般开出天价,蔺先生立刻答应,并且要求当场成交。  成功了!派对上,黄渤把钱撒向空中,大家激动分钱,王森却不在。  王森突然接到电话,得知夏天竟然被陶硕绑架,陶硕威胁王森交回画,否则杀了夏天。王森一生中从未如此紧张失措过,他和黄渤立刻回去找蔺先生,没想到蔺先生像是变了一个人,精明地可怕,要王森拿出三倍的价买回《维多女人》,黄渤提醒王森夏天还有一个小时就要被杀,王森下定决心,用自己收藏的一屋子艺术品来换这幅画。  时间紧迫,王森让黄渤去家中拿艺术品,而自己先拿画去救夏天。王森回到绑架现场却一无所有,黄渤也联系不上了,只有他手上那幅画,这时他才发现,手上那幅画,上面有自己的签名,这是最初自己伪造的那副假画。  王森疯了一般,他回到家,空空荡荡,所有值钱的东西都被卷走 ……
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3.0
更新时间:05月15日
主演:小罗伯特·唐尼,克里斯·埃文斯,马克·鲁弗洛,克里斯·海姆斯沃斯,乔什·布洛林,保罗·路德,凯伦·吉兰,杰瑞米·雷纳,斯嘉丽·约翰逊,唐·钱德尔,布丽·拉尔森,布莱德利·库珀,泰莎·汤普森,汤姆·赫兰德,伊丽莎白·奥尔森,本尼迪克特·康伯巴奇,蒂尔达·斯文顿,格温妮斯·帕特洛,蕾妮·罗素,约翰·斯拉特里,查德维克·博斯曼,安东尼·麦凯,塞巴斯蒂安·斯坦,克里斯·帕拉特,汤姆·希德勒斯顿,佐伊·索尔达娜,丹娜·奎里拉,本尼迪克特·王,庞·克莱门捷夫,戴夫·巴蒂斯塔,利蒂希娅·赖特,伊万杰琳·莉莉,乔恩·费儒
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