野兽家园

野兽家园

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7.0|05月15日|HD
简介:

本片改编于美国插画作家莫里斯•桑达克(Maurice Sendak)1963年出版的同名儿童画书。                                                                        小男孩马克斯(马克斯•莱克兹 Max Records)精力旺盛无处发泄,不满姐姐克莱尔(派媲塔•艾莫里琪丝 Pepita Emmerichs 饰)的忽视和妈妈(凯瑟琳•基纳 Catherine Keener 饰)的管教。在一次与妈妈的争吵中,马克斯离家狂奔而去,到河边独自驾驶小船,在海面航行了两天两夜,到达了一个神秘岛屿。岛上生活着一群头上长角、身材高大的毛绒绒怪物们,它们有的脾气暴躁,有的性情温顺,还有的胆小怕事。为了不被吃掉,马克斯骗怪物们说自己是维京人的国王,来到岛上也要当它们的国王。单纯的怪物们相信了马克斯,兴高采烈的奉他为王,在岛上建筑新居。但令马克斯意外的,却是名叫卡罗的怪兽(詹姆斯•甘多费尼 James Gandolfini 配音)与怪兽KW(劳伦•艾波罗丝Lauren Ambrose 配音)之间的矛盾……

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174
2.0
已完结
不安
2.0
更新时间:05月15日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
1826
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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