穿越时空之来客
1.0 |05月15日 |HD
简介:

姜无甩掉追兵掉进湖里,磁力器带他穿越时空到了2010年,姜无一身古装落在了大街上,姜无来到永王 府,正巧有个剧组在拍摄古装剧,因为他长相酷似大明星于清斌,被当成了演员,一群影迷尾随而至。美女作家叶子也在其中,她长相酷似郡主被姜无当成了郡主。姜无跟着叶子回到家,誓死要保护叶子,叶子无奈收留了他,姜无不小心把叶子租的房子弄着了火,害的叶子无家可归。叶子送姜无到了于清斌家,正巧遇到于清斌的经纪人,他正在为于清斌失踪而发愁。他俩想出一个妙计,用姜无代替于清斌去拍摄广告,一个明朝人和姜无和明星于清斌上演了一出真假明星秀。                                                                        《穿越时空》系列是是东方飞云影视公司投资制作的电影,据悉将于7月16日在辽宁卫视《周末王刚讲故事》(每周五晚22:20开始) 开播。共四部,目前已全部拍摄完成,分别为《穿越时空之明月郡主》、《穿越时空之灵格格》、《穿越时空之大清宫祠》、《穿越时空之来客》,由陈大伟、吴静一、于清斌、黄千格、陈真希、乔若熙、罗曼雅主演,导演:陈晓雷

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简介:Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
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