大逃亡

简介：老铁是一位消防老兵。新兵强军给老铁的带兵方法带来了冲击。两人从矛盾冲突到逐渐相互认同。老铁的父亲突然因病去世，他却因参加救援未能见父亲最后一面。面对理想与现实、事业和家庭的矛盾，老铁究竟该如何选择？

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公元前202年，旷日持久的楚汉相争以西楚霸王项羽的乌江自刎宣告结束。消息传到汉王刘邦的帐前，刘邦非但没有为项羽这个曾经把自己逼得走投无路的夙敌的死感到半点的惊喜，相反对樊哙禀报的消息难以置信，直到军士将项羽已被大割八块的尸首献至帐前，长时间积压在刘邦心中的块垒才算从此释然。夙敌项羽的死，在汉王刘邦的心里产生了从未有过的孤独。面对项羽的尸首，刘邦甚至在问：这究竟是为了什么？是天下？女人？还是“入关之约”？
　　和刘邦有着同样复杂心理的，还有为剿灭西楚、战胜项羽而战功卓著的韩信。此时，在韩信的心里，战争结束后个人的何去何从成了萦绕在自己心头挥之不去的阴影。长年的东征西讨，无论是国家还是民众都希望告别生灵涂炭的梦魇，过上太平盛世的日子。在众诸侯王的拥戴下，刘邦在“国不可一日无君”的推举下，筑坛称帝，改国号为汉朝，定都下邳，封皇后、立太子，登金銮宝殿，成了大汉王...

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：和大部分家庭一样，杰瑞特一家人过着稳定而又平静的生活，卡尔文（唐纳德·萨瑟兰 Donald Sutherland）不仅是一个工作上矜矜业业的正直律师，同时也将父亲和丈夫的角色扮演得十分出色，和妻子贝丝（玛丽·泰勒·摩尔 Mary Tyler Moore 饰）结婚二十余载，两人的感情分外稳定。

简介：影片改编自周浩晖豆瓣高分悬疑小说。

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依然是一部关于阿拉莫战役的影片，主角吉姆鲍伊原本是墨西哥统治者安东尼的盆友，但现在为了德克萨斯的独立而战，影片预算较低

简介：这部电影以现实生活中的康复计划为背景，由包括前囚犯在内的多名演员出演，讲述了一个剧团通过创造性地上演一出戏剧，逃离了监禁的现实。

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三个韩国高校男生，从学校走出校园后走上了各自的人生道路，但彼此却又藕断丝连。哲秀暗恋着那个叫“糖果”的男孩，但糖果的眼里却只看得到自己的初恋。糖果一直被网上认识的中年大叔搭讪，最终哲秀代理糖果赴约，结局却让人心酸......

简介：才华横溢的新西兰国际象棋手詹纳西斯•坡特尼，他的绰号为“黑马”，因为精神疾病饱受折磨，被精神疾病医院收容。多年之后，病情有所好转，被多年不见的哥哥接回家一起居住。他们所在的社区是一个新西兰原住民的底层社区，社区中的孩子似乎只有做底层工作和加入“兄弟会”这两种出路。为了逃避这个有毒的环境，詹纳西斯志愿参与“东方骑士”国际象棋俱乐部，他鼓励孩子们去奥克兰参加象棋锦标赛。詹纳西斯的侄子马纳从小就爱好国际象棋并且非常有天赋，但是因为各种环境因素，即将“被迫”加入兄弟会，叔叔的到来勾起了他对象棋的热爱。随着时间的推移，詹纳西斯所带领的俱乐部战绩越来越好，可马纳加入兄弟会的日子也越来越近。到底是选择和父亲一样的道路，还是选择自己热爱的国际象棋比赛，马纳心中已经有了答案。

简介：男主角邵峰的女友，因为识破了公司高层贪污的事情，却被公司CEO与属下恫吓，失足跌落高楼。女友的死，让邵峰愤怒，决定在第二年万圣夜予以报复。却意外卷入了无辜者沈琳。沈琳用自己的善良让邵峰明白，所谓的报复过于极端疯狂。邵峰在沈琳善良的感召下，放弃复仇，沈琳也摆脱男友去世的阴影，重新坚强起来。

简介：故事发生在波士顿，讲述绝望的父亲被迫联手一名惯犯，洗劫腐败的政客，在劫案出了岔子之后，二人在一位心理治疗师的帮助下，寻找活命的出路。

简介：The intimate, final performance of Bruce Springsteen's 236-show run at Jujamcyn's Walter Kerr Theatre on Broadway.