死亡之夜
620
6.0
已完结
死亡之夜
6.0
更新时间:05月15日
主演:默文·约翰斯,罗兰·卡尔弗,玛丽·梅罗尔,乔姬·韦瑟斯,弗雷德里克·瓦尔克,安东尼·贝尔德,萨莉·安·豪斯,Robert,Wyndham,朱迪·凯利,迈尔斯·马勒森,迈克尔·艾伦,Barbara,Leake,拉夫·迈克尔,埃斯米·珀西,巴西尔·拉德福德
简介:本片以一个鬼怪故事为骨架,叙述了五个鬼故事。建筑师沃尔特·格兰杰到郊外一个农庄去洽谈业务。他感到农庄像旧地重游,原来他做过一个可怕的怪梦,屋里所有的人都在梦里出现过的。当他向客人谈及这怪事时,范医生发表自然怀疑论的看法,从而引出每个客人叙述了—段自己亲身经历的鬼故事。影片的结局是原来这一切都是那位建筑师的—场恶梦。英国电影评论家狄妮斯·鲍威尔对本片评价很高,他指出,影片的“许多材料是专为电影而写的...  五个故事  《柩车车夫》的故事讲汽车比赛驾驶员休·格兰杰因汽车赛受伤,躺在病房里。半夜,看见窗外停着的柩车边车夫向他招手。第二天他见到—辆双层公共汽车的售票员正是半夜见到的那个车夫。他不敢上车,几分钟后,这辆双层公共汽车失事翻车。《圣诞节故事》讲有一年圣诞节,姑娘萨利参加聚会。大家玩捉迷藏,萨利安慰一个孤独哭泣的小男孩。事后,有人告诉她,小男孩早在几年前被他的姐姐杀死。《妖镜》讲的是琼·考特兰买了一面古老的镜子,送给未婚夫彼得。彼得照镜子时,反映出发生过主人谋杀妻子凶杀案的屋子。彼得的心理被镜子里的人控制,他动手扼住琼的喉咙。琼机智地打碎了魔镜。彼得才从梦魇中解脱出来。《玩高尔大球的故事》讲两个玩高尔夫球的好朋友,同时爱上一个女人。不久,其中一个死了,另一个同那女人结婚。新婚之夜,死去的高尔夫球手来“显灵”,搞恶作剧。《腹语家的木偶》讲一个腹语家被他的木偶蛊惑的遭遇。
534
1945
死亡之夜
主演:默文·约翰斯,罗兰·卡尔弗,玛丽·梅罗尔,乔姬·韦瑟斯,弗雷德里克·瓦尔克,安东尼·贝尔德,萨莉·安·豪斯,Robert,Wyndham,朱迪·凯利,迈尔斯·马勒森,迈克尔·艾伦,Barbara,Leake,拉夫·迈克尔,埃斯米·珀西,巴西尔·拉德福德
丹麦女孩
191
6.0
HD
丹麦女孩
6.0
更新时间:05月15日
主演:埃迪·雷德梅恩,艾丽西亚·维坎德,本·卫肖,塞巴斯蒂安·科赫,安柏·赫德,马提亚斯·修奈尔,尼古拉斯·伍德森,皮普·托伦斯,克劳斯·布埃,埃默拉尔德·芬内尔,理查德·迪克森
简介:1926年哥本哈根,风景画家艾纳(埃迪·雷德梅恩 Eddie Redmayne 饰)和擅长人物画的格尔达(艾丽西亚·维坎德 Alicia Vikander 饰)结为夫妇。因为模特失约,格尔达为顺利完成画作说服了艾纳穿上女装救场。这次意外令艾纳多出一个女性人格“莉莉”,而后者亦成为妻子的灵感女神,让格尔达声名鹊起。只是随着沉睡女性人格的被唤醒,艾纳开始厌恶自己作为男性的身体,他渐渐发现莉莉不但是艺术存在,更是真正的自己。格尔达也没有想到只是临时起意的游戏,竟为自己人生投下了一颗震撼弹,她该如何继续爱她的伴侣?她们在各种社会非议和误解中不离不弃,最后格尔达鼓励艾纳彻底变成莉莉......  根据世界上首位变性人士生平改编的《丹麦女孩》讲述一段跨越性别和性向的爱情,重现一位最早接受性别重置手术的丹麦画家与妻子的传奇故事。该片由奥斯卡导演汤姆·霍珀执导,入围威尼斯电影节金狮奖。
5184
2015
丹麦女孩
主演:埃迪·雷德梅恩,艾丽西亚·维坎德,本·卫肖,塞巴斯蒂安·科赫,安柏·赫德,马提亚斯·修奈尔,尼古拉斯·伍德森,皮普·托伦斯,克劳斯·布埃,埃默拉尔德·芬内尔,理查德·迪克森
倒计时
386
6.0
已完结
倒计时
6.0
更新时间:05月15日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare,Sutcliffe,西蒙·沃德
简介:The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
5922
1969
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare,Sutcliffe,西蒙·沃德
三十九级台阶1935
614
6.0
HD
三十九级台阶1935
6.0
更新时间:06月23日
主演:罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank,Cellier,Jerry,Verno,Peggy,Simpson,Ivor,Barnard,Noel,Birkin,Carleton,Hobbs,Vida,Hope,Elizabeth,Inglis,James,Knight,Hilda,Trevelyan,S.J.
简介:

音乐厅中传来枪声,观众们一片惊慌。一位外国女子(露西•曼娜海姆饰)询问理查德•汉内(罗伯特•多纳特饰)是否可以在他家中过夜。次日该女子在被杀之前告诉理查德必须阻止间谍组织“三十九级台阶”将国家机密偷偷送出英国。汉内为了证明自己并不是杀人凶手无奈前往苏格兰高地寻找线索,在火车上他寻求一位叫做帕梅拉(玛德琳•卡罗尔饰)的金发年轻女子帮助,但她却马上向警察告发了他。他找到了“三十九级台阶”的领导人乔丹教授,但随即被陷害入狱。侥幸逃脱后又由于帕梅拉的告发被两位伪装成便衣警察的人带走,并且他们还把帕梅拉和他铐在了一起。于是两人携手逃脱了出来并取得了互相的信任,然后他们再次回到音乐厅,汉内看到了上次就见过的表演。他向号称可以回答任何问题的“记忆先生”(怀特•沃森饰)提问:“什么是三十九级台阶“,于是……                                                                        希区柯克曾说“记忆先生“是他最喜欢的角色之一,这个角色建立在一个名叫达塔斯的真人基础上,他自己小时候在伦敦看过他的表演。

864
1935
三十九级台阶1935
主演:罗伯特·多纳特,玛德琳·卡洛,露西·曼海姆,戈弗雷·特尔,佩吉·阿什克罗福特,约翰·劳里,海伦哈耶,怀利·沃森,格斯·麦克诺顿,查尔斯·贝内特,马修·博尔顿,阿尔弗雷德·希区柯克,迈尔斯·马勒森,弗雷德里克·派珀,约翰·特恩布尔,Frank,Cellier,Jerry,Verno,Peggy,Simpson,Ivor,Barnard,Noel,Birkin,Carleton,Hobbs,Vida,Hope,Elizabeth,Inglis,James,Knight,Hilda,Trevelyan,S.J.
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