简介：（JAP文）1986年4月26日，切尔诺贝利核电站的一个核反应堆发生爆炸，年轻的俄共官员瓦莱里在获悉内部消息后，决定赶紧带着自己的女友维拉逃离此地。当日正值星期六，阳光明媚，人们纷纷外出享受周末，瓦莱里很快发现，这里有一种无形的力量，在阻止着自己离开……　　周六的普里皮亚季镇，街上熙熙攘攘，不少人逛街购物，孩子们在外玩耍，还有人举行婚礼，整座城市显得无忧无虑，与此同时，一场看不见的灾难正在蔓延。人们从来到这里的那一天起，就戴上了无形的手铐，而开锁的钥匙却早已不知所踪。瓦莱里先是丢了护照，接着又崴到脚踝，然后又错过了火车；维拉要在婚礼上献唱，但乐队的鼓手却早已喝得不省人事，无奈又拉上瓦莱里顶替上阵……婚礼渐进高潮，当灾难的消息传来，人们决定继续狂欢。伏特加开了一瓶又一瓶，人们希望陶醉在前一秒那个欢乐的时刻，哪怕这一刻转瞬即逝。　　所有人都记得，那是一个星期六，阳光明媚，绿草茵茵。然而一切都在那天定格。那本一个天真无邪的日子，但那一天，却有许多人被无情地卷入死亡的结局。

简介：1931年，西班牙的君主制被共和政制替代。马德里军队的逃兵费尔南多（乔格•桑兹Jorge Sanz 饰）在逃难中被两名护卫兵盘问。其中，老兵决定放行，但小兵觉得不合军令。两人开始争执，从中费尔南多得知二者为翁婿。后来，女婿错手将岳父打死，后悔不已饮弹自尽。目睹此情此景，受了惊吓的费尔南多仓皇逃走。他借宿时邂逅了流浪艺术家曼诺罗（费尔南多•费尔南•戈麦斯 Fernando Fernán Gómez 饰）。临行前，曼诺罗决定送他一程，顺便在车站接自己的女儿。当费尔南多看到他四个美艳动人的女儿之后，决定找借口留下。他先后跟这四个女人发生了情感纠葛，由此引出了一场令人忍俊不禁的闹剧……　　本片获得第66届奥斯卡最佳外语片奖，战胜了中国影片《霸王别姬》。

简介：三个无家可归的男孩，两个兄弟，他们是好朋友，住在俄罗斯的铁路车站。有一天，他们决定去在寻找一个更美好的明天。他们想越过边界偷偷进入波兰，寻找他们想要的一切，可是孩子们还没有家庭，朋友，幸福... ...　　Dorota Kędzierzawska's film tells the story of three homeless Russian boys who travel to Poland for a better life, with the hope that l ife is different and better somewhere else. The boys wanted to change something in their life.

简介：Adam是一个单纯的渔民之子，有幸考入开罗享有盛誉的Al-Azhar大学，这里是也逊尼派伊斯兰教势力的中心。　　开学第一天，担任学校负责人的大伊玛目突然去世。　　随后，Adam发现自己不知不觉地被卷入该国宗教和政治精英间无情的权力斗争之中。

简介：影片描绘了年轻富农安德烈的人生。安德烈受过教育，聪明又强壮。他的妻子克鲁特为人温柔且宽容。他们一起购入了一个荒废的农场，想要在这里开始新人生。他们的邻居佩尔鲁粗鲁又拒绝合作。安德烈想要和佩尔鲁一起修水渠，却始终矛盾不断。佩尔鲁还杀害了他的猎犬，甚至布置现场让安德烈无法控诉他的罪行。安德烈认为佩尔鲁是个彻头彻尾的无赖，一心寻求报复，克鲁特则总是从中调停丈夫和邻居的矛盾。岁月流逝，“正义”成为了安德烈心中最重要的事物，可这份“正义”却只为他带来了孤独。

简介：2000年9月9日，Simsek的生活突然发生巨变 她的父亲Enver在纽伦堡连中8枪，身受重伤不治而死。警方怀疑这是一起黑帮犯罪，Enver做过毒品生意有犯罪背景。但在随后的6年里，七名土耳其人和一名希腊人在德国其他地方相继遇害，并以“烤肉谋杀案”登上报纸头条。尽管缺乏证据，警察仍然相信案件有黑社会背景。被视为犯罪嫌疑人的人员电话被窃听，公寓遭搜查，甚至接受无休止的审讯。后来有一天，Hauptkommissar Bronner来到Simsek的家，他质疑警方之前的假设，他认为所有迹象都表明，是激进的右翼分子所为，出于仇外心理。　　然而Bronner的请求被拒绝，他的调查小组也在2008 年2月1日解散。许多年来Simsek的家庭尝试找出谋杀案凶手，但毫无进展。2011年11月11日她发现地下右翼恐怖组织NSU涉嫌谋杀案，贝亚特·切培（Beate Zschäpe）和已死亡的两名同犯乌韦·穆德勒斯（Uwe Mundlos）和乌韦·贝尔哈德（Uwe Böhnhardt）被起诉。

简介：ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

简介：NetFlix新上架西班牙惊悚片，讲述了一名公司CEO意外遭遇车祸，因而度过了人生中最糟糕的一个夜晚....

简介：Killian is a young man who has never left the remote mountains of Huesca (Spain) which saw him grow up. In 1953, he travels back to the exotic Equatorial African island of Fernando Poo, in Spanish Guinee, where he was born, to work in a cacao plantation alongside his father and his brother. During 20 years in this island, until the troubled days of independence, he will undertake a journey towards maturity and knowledge, but will also have to deal with pain and loss.

简介：Sergei Parajanov's 89 minute color feature also known as Ukrainskaya rapsodiya about 2 lovers separated during World War II.

简介：影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧，使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后，无恶不作。他们洗劫普斯科夫，吊死爱国者。内夫斯基带领人民群众，以伊格纳特等积极分子为骨干力量，保卫了重镇诺夫哥罗德，消灭了叛徒托瓦尔其洛。最后，在楚德湖的冰面上大败条顿骑士。

简介：清晨，白雪覆盖的山区，一对以色列士兵正在营房附近挖掘土坑掩埋大量腐败的食品。队长尤斯（Ohad Knoller 饰）与战士里奥外出巡视，里奥长相俊美，同袍们用某位明星的名字——积加（Yehuda Levi 饰）来称呼他。尤斯与积加是一对秘密的同性恋人，他们很快把巡逻变成了一场雪地中的约会，即将退伍的积加把将来的旅行计划透露给尤斯……军官祖路带同两名女兵高迪与叶莉来到营房，布置了当晚的伏击任务，军人们吃过了匆匆拼凑的午餐，席间有人说着同性恋的笑话。叶莉属意积加但一直没有表白，熟悉内情的战士试图提出警告以便接近叶莉却没有收效。傍晚时分，小分队出动执行任务，夜色中突发的交火带来了悲伤的结局……　　本片根据真实故事改编，获2003年米兰、都灵国际同性恋电影节观众奖等褒奖。

简介：两个女孩开始谈论另一个女孩，即两人的前爱人。随着她们的关系越来越密切，两人之间的隔阂也越来越大，因为她们其中一人正在寻找答案和爱情，但又闭门不出。在今天的罗马尼亚，这是在令人窒息的偏见中对爱情的尝试。微博 亿万同人字幕分享

简介：十多年前，朝鲜人民的伟大领袖金日成冒雨视察北青以后，立即召开北青扩大会议，亲自制定了全国山区变成丰硕果园的宏伟方案。以贞玉为代表的石花农场的年轻姑娘们，遵照金日成同志的指示，敢于革命，勇于实践，克服保守自满和落后意识，经反复实践，试制成功苹果酱，取得了思想与生产双丰收。

简介：該片由俄羅斯國家杜馬的獨立議員斯·戈沃魯欣執導。　　A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated then gang raped her. Local cops are incapable to undertake an adequate action against the scoundrels - prevented by the superior chief of the local police (militia) which is the dad of one the scumbags. The case is closed. The girl's grand-dad tired of endless circumlocution decides to take revenge of his own.

简介：

简介：Using few words and gorgeous imagery, this is a poetic painting of a family, each in their own space on an August afternoon.

简介：父死母嫁的10岁孩子冬冬，跟着瘫痪的叔叔太宁和爷爷奶奶过活。奶奶支撑着家，却得了绝症。她隐瞒病情，决定为太宁找个媳妇。春莲死了两个丈夫，带着12岁的傻儿子小把儿走投无路，不得已嫁给太宁。这个特殊家庭从此开始了一段情感故事。

简介：一家秘密的苏联研究所结合了科学和神秘实验，旨在创造理想的人。 该研究涉及所有员工：特权量子物理学家，克格勃官员，厨房员工边缘人员和政治上激进的测试对象。 研究所的居民发现自己身处深处的生存危机中，被逼向悲惨和暴力的结局。

简介：本杰明·艾斯玻希多（里卡杜·达林 Ricardo Darín 饰）是一名退休的检察官，几十年的司法工作经验让他积攒下诸多素材，而多年前一起奸杀案始终让他念念不忘，他希望将其付梓出版，了却心愿。25年前，23岁的美丽女教师莉莉安娜·科洛托（Carla Quevedo 饰）和银行职员里杜卡·莫拉莱斯（帕博罗·拉格 Pablo Rago 饰）相识相恋，然而就在两人已谈婚论嫁之际，莉莉安娜在公寓被人残忍强暴并杀害。是时司法腐败，为求尽快结案，本杰明的同事甚至随便找个外来移民顶罪。也许是为莉莉安娜死亡现场所震撼，本杰明执着地展开调查，从此卷入这桩扑朔迷离的爱恨疑案之中……　　本片荣获2010年第82届奥斯卡金像奖最佳外语片奖；2009年哈瓦那电影节观众奖、最佳男主角奖（Ricardo Darín）、最佳导演奖、最佳音乐奖、评审团特别奖。

简介：From the stage of the Royal Shakespeare Theatre in Stratford-upon-Avon, hosts David Tennant and Catherine Tate are joined by Benedict Cumberbatch, Judi Dench, Ian McKellen, Dame Helen Mirren, Meera Syal, David Suchet, Rufus Wainwright, Tim Minchin, Gregory Porter, Joseph Fiennes, English National Opera, The Royal Ballet and Akala for a very special evening.　　Together they mark the life and work of William Shakespeare on the 400th anniversary of the playwright's death. This unique event takes place in the presence of their Royal Highnesses the Prince of Wales and the Duchess of Cornwall and celebrates Shakespeare's extraordinary legacy and his enduring influence on all performance art forms - from opera to jazz, dance to musicals.

简介：五位土耳其导演分别拍摄的五段发生在伊斯坦布尔的故事，交叉讲述，却不着痕迹，浑然一体。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：影片鲜明而真实地表现了1942年夏季苏军在顿河草原上的保卫战：一支团队在撤退途中，奉命占领一个小村后面的十字路口的高地。主人公在战前从事着不同的职业，战争使他们聚集到了一起。经过艰苦卓绝的战斗，这支团队完成了占领高地的任务，保住了团队的旗帜，但付出了惨痛的代价，伤亡十分严重。